The woman named Maya lived in the center of a busy city; her life stood at one crossroads, as deep affection and ancient tradition collided with each other. Maya was a successful architect and always was the glory of her family who obeyed without question, according to what had been laid down in front of her with dignity and adherence. Her family, so much immersed in tradition and their cultural sense of living wanted to see her future model the pattern that they envision for themselves- a fairy tale marriage held as an evidence behind its social significance which would give them more relevance.
Then came Alex, the boisterous painter whose heart had been as big as his picture. His life was a palette of rich colors – every brushstroke testified that he loved Maya. Their fates intersected surprisingly – one soul met the other in that maze which is called life. Maya found Alex because he adored her dreams as much. No restrictions of tradition should keep us from painting our own skyline, she concluded in soliloquy at the end of every chapter
Yet, their marriage was controversial. Alex was thus seen by Maya’s family as a deviation from the carefully charted route that they had designed for her. Their view of him was not love and esteem he had for Maya but deviation from their values and norms. The choice before Maya was stark and unforgiving: the man that carried her heart or blood from where it will come.
The more pressure escalated, the closer Maya edged herself toward two worlds. The shadow of familial opposition spread far; however, the reality voided any further notion of a life without Alex in it. The argument was interminable, a polarized position between love and loyalty pitting Maya centrally.
